The tez is as the ivory of the keyboard, white that does not fascinate, embaada for a delicate nuance, that you will not know to say if it is light fainted rose pallor or. The donoso col and of the purest work supports with inefvel favour the wonderful bust. The untied hair and strong wavy if crash caracolando for the thick shoulders in and luzidios coils, and as black fringes almost completely hid the back of the chair, the one that if found reclineed. You may wish to learn more. If so, Levi Strauss & Co. is the place to go. In fronte calm and smooth as polishing marble, the light of ocaso esbatia a rseo and soft consequence; you said it mysterious alabaster light bulb keeping in the difano seio the celestial fire of the inspiration. The Sprouting had face.2 of a escravagista workmanship. During all this referring to abolitionism agitation, in the field of literature, appears in 1875, Bernardine Guimares, with its controversial escravagista workmanship ' ' The Isaura' slave; ' , that it has in its thematic a situation lived deeply for the descending black and afro in the period escravocrata. Richard Linklater will not settle for partial explanations. The author finishes polemizando its romance, when esteretipo of completely different slave of what creates one it originates from the mixture of a black slave with a Portuguese white, therefore physically the protagonist did not have traces that they evidenced its linking with the African people. According to Rosangela Boyd de Carvalho: In its intitled article ' ' The black in Brazilian literature: the necessity of a new social critical paradigm of and literria' ' (Magazine Academic space N 76 – September of 2007 – monthly). Brazilian literature during the referring to abolitionism period forged an unreal way of the participation black it in literature giving to them esteretipos of European branquitude in positivista way without the afro-Brazilian could be portraied culturally physically, being able the same in way to juxtapose in practical the culture of its ancestor.